Poet Colin smith gestures at intermission.
Sent from my BlackBerry® smartphone
No human is illegal.
Cyril Dabydeen brought this sentence to the surface within the first five minutes of his time in front of the quiet audience sitting in the cave that is the Carol Shields auditorium during The Nooner today.
The combination of his light and jovial nature didn't hide the intensity of his poems or his politics.
No human is illegal.
Followed by his poem Lady Icarus-about a woman, considered 'illegal',
her story of deportation
x 5.
I have been told that it is difficult to write well and to write politically and/or socially consciously.
I have been told it is best to avoid it.
The idea that there is a divide between good writing and political writing creates a divide in me. Even when writing doesn't deal directly or obviously with political issues-be it race or gender or class,
the politics are always there.
Cyril Dabydeen quoted someone (whose name I forgot to write down, and who I now cannot recall), but the quote was
The aim of the writer is to mythologize the ground that you walk
And the ground that we walk is our history, never separate from our oppressions and our privilege. So it only makes sense to me that, as writers,we stay aware of our location. And the idea that someone can even consider eliminating the political and social context from their art,
is an act of privilege.
No human is illegal.
No art is without politics.
*please note the word politics in this post is being used in the lower case 'p' for politics kind of way. You know, the kind of stuff one might study if they did a degree in say, Gender studies, just for example....
Courtney Slobogian was born in Winnipeg and likes it that way.
She is a writer/understated activist/ irreverent feminist.
Some of her work can be tracked down in quiet corners of the internet.
She co-hosts a radio show on CKUW called Tiger Lilies are Poisonous, and dislikes cotton socks. She wrote a thesis once.
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Cyril Dabydeen brought this sentence to the surface within the first five minutes of his time in front of the quiet audience sitting in the cave that is the Carol Shields auditorium during The Nooner today.
The combination of his light and jovial nature didn't hide the intensity of his poems or his politics.
No human is illegal.
Followed by his poem Lady Icarus-about a woman, considered 'illegal',
her story of deportation
x 5.
I have been told that it is difficult to write well and to write politically and/or socially consciously.
I have been told it is best to avoid it.
The idea that there is a divide between good writing and political writing creates a divide in me. Even when writing doesn't deal directly or obviously with political issues-be it race or gender or class,
the politics are always there.
Cyril Dabydeen quoted someone (whose name I forgot to write down, and who I now cannot recall), but the quote was
The aim of the writer is to mythologize the ground that you walk
And the ground that we walk is our history, never separate from our oppressions and our privilege. So it only makes sense to me that, as writers,we stay aware of our location. And the idea that someone can even consider eliminating the political and social context from their art,
is an act of privilege.
No human is illegal.
No art is without politics.
*please note the word politics in this post is being used in the lower case 'p' for politics kind of way. You know, the kind of stuff one might study if they did a degree in say, Gender studies, just for example....
Courtney Slobogian was born in Winnipeg and likes it that way.
She is a writer/understated activist/ irreverent feminist.
Some of her work can be tracked down in quiet corners of the internet.
She co-hosts a radio show on CKUW called Tiger Lilies are Poisonous, and dislikes cotton socks. She wrote a thesis once.
Last night following the first half of the Mainstage I decided to buy featured writer Jon Paul Fiorentino's recent novel Stripmalling.
And I figured, since he was standing there with a pen anyway, I'd ask him to sign it.
He thanked me for the support and while I told him I enjoyed the reading and the cover of his book, and how the parents described in the novel are very similar to my own he was writing something rather lengthy on the inside of the book.
We thanked each other again and shook hands and I made my way to the bar and the cheese table and then back to my seat.
I opened the book and immediately burst into laughter at what he had written:
And while I'm honoured by the proposition, the answer, Jon, is no. Sorry.
***
Jon Paul Fiorentino's most recent novel is Stripmalling. ECW Press: Toronto, 2009.
****
Brandon James Bertram is an English/Creative Writing student at the University of Winnipeg. He reads, writes, rides bikes, and drinks coffee.
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And I figured, since he was standing there with a pen anyway, I'd ask him to sign it.
He thanked me for the support and while I told him I enjoyed the reading and the cover of his book, and how the parents described in the novel are very similar to my own he was writing something rather lengthy on the inside of the book.
We thanked each other again and shook hands and I made my way to the bar and the cheese table and then back to my seat.
I opened the book and immediately burst into laughter at what he had written:
Brandon!
Let's make sweet love behind the 7-11 on day street--3 am ok?
xo Jon
And while I'm honoured by the proposition, the answer, Jon, is no. Sorry.
***
Jon Paul Fiorentino's most recent novel is Stripmalling. ECW Press: Toronto, 2009.
****
Brandon James Bertram is an English/Creative Writing student at the University of Winnipeg. He reads, writes, rides bikes, and drinks coffee.
* * *
Scofield muttered about his homemade heart tattoo, saying he got it when he was fourteen on a camping trip, but agreed to have one hand photographed after checking with Lauren Kirshner that she'd also had "her hands done."
* * *
In 2009, Scofield will be releasing the following books:
kipocihkân: Poems New and Selected. Gibson's: Nightwood Editions, 2009.
Love Medicine and one Song. Wiarton: Kegedonce Press, 2009.
I Knew Two Metis Women. Saskatoon: Gabriel Dumont Institute, 2009.
* * *
Ariel Gordon is the Winnipeg-based author of two recent small press chapbooks and has had poetry published in fine lit mags such as Carousel, PRISM International and Prairie Fire.
Her first collection of poetry, Hump, is forthcoming from Ontario's Palimpsest Press in spring 2010.
When not being bookish, Ariel likes tromping through the woods taking macro photographs of mushrooms.